Post Punk Rare Videos Compilation #1 : Thank You WFMU! Occult Chemistry performs their track Fire (UK, 1980) @ Vidéo réalisée par le London College of Printing. Next up a hilarious video from The Dykes singing, 2 Fingers Wide (USA, 1980) Scène extraite du documentaire ‘Debt Begins at 20’ de Stephanie Beroes. Mother’s Ruin crank out Dreamy Teeny (Suisse, 1981). Don’t miss Barchen und die Milchbubis’ Muskeln (Allemagne, 1981) Morceau extrait de l’album ‘Dann Macht Es Bumm’. Wow, major 80s kookiness on Nini Raviolette’s Suis-je Normale? (France, 1980) Vidéo réalisée par Stéphane Teichner, extraite du DVD ‘RVB~TRANSFERT : Images de la scène indépendante Française (1978-1991). Take a look at Q4U’s Creep (Islande, 1982) Vidéo extraite du documentaire ‘Rokk í Reykjavík’ de Friðrik Þór Friðriksson (1982). Wow, the always great Young Marble Giants bang out favorite Colossal Youth (UK, 1980). Akron’s own, The Waitresses with the MTV overload, I Know What Boys Like (UK, 1982) Last but not least, Sort Sol feat. Lydia Lunch, Boy-Girl (Danemark/USA, 1986)
“Bourdin was one of the best known photographers of fashion and advertising of the second half of the 20th century. He shared Helmut Newton’s taste for controversy and stylization, but Bourdin’s formal daring and the narrative power of his images exceeded the bounds of conventional advertising photography. Shattering expectations and questioning boundaries, he set the stage for a new kind of fashion photography. Bourdin worked for Vogue and Harper’s Bazaar, and shot ad campaigns for Chanel, Issey Miyake, Emanuel Ungaro, Gianni Versace, Loewe, Pentax and Bloomingdale’s” See also: Deathly Stills: The Dark Dark World of Guy Bourdin.
Honeymoon Killers - Tueurs de la lune de miel - Histoire à suivre - Live, 1983
Stones Throw Podcast 71, Minimal Wave, Episode 2 - Veronica Vasicka has put together another minimal wave podcast and free mp3 download via iTumes for Stones Throw, featuring a few of the recent & upcoming reissues from Minimal Wave and her sub label Cititrax; Felix Kubin, Richard H. Kirk, Linear Movement etc.
A Crash Course in Post-Punk and Science - Rhizome has a great interview with Michael Zodorozny of the late 70s’ early 80s’ post punk/art rock outfit A Crash Course in Science, who weren’t exactly against using toy electronics and home appliances such as blenders for instrumentation.
“The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies. When you consider the tastes of the most cinephilic cinephiles, you often see that they have a “conformist” taste; they like traditional things. In the Hollywood cinema they will like melodramas where the question of good and evil is very cleanly divided. They like characters who are fairly exemplary or heroic or edifying. Their neurosis probably comes from a disturbed childhood, from a family milieu that was troubled or broken, and they need at the same time exoticism and reassuring things.”
OMD Cover The XX ‘VCR’ - And now this cover of The XX’s ‘VCR’ manages to keep the fragile charm of the original while becoming something that is very OMD - vulnerable, yet still pop. Check it out via Soundcloud on Quietus here.
“Suddenly some subtle entity, some cosmic energy, brushed her like shadows. Down here we stop to wonder. Cars on the freeway. Bright lights and thunder”
La Nouvelle Vague. Iconic New Wave Photographs by Raymond Cauchetier. At the James Hyman Gallery in London from July 14 to August 28 - From the exhibition;”François Truffaut and Denys Clerval with the camera crew on the set of Baiser volés (Stolen Kisses, dir. Truffaut, 1968) in Paris. Baiser voles (Stolen Kisses) continues the story of recurrent character Antoine Doinel, whom Truffaut had previously depicted in Les quatre cents coups (The 400 Blows) and the short film Antoine et Colette (Antoine and Colette).”
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Summertime Blues - The Flying Lizards